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For me the noise of Time is not sad: I love bells, clocks, watches — and I recall that at first photographic implements were related to techniques of cabinetmaking and the machinery of precision: cameras, in short, were clocks for seeing, and perhaps in me someone very old still hears in the photographic mechanism the living sound of the wood.
Roland Barthes, Camera Lucida
Paris 1929
André Kertész, On Reading

Paris 1929

André Kertész, On Reading

When everything that called itself art was stricken with palsy, the photographer switched on his thousand-candle-power lamp and gradually the light sensitive paper absorbed the darkness of a few everyday objects. He had discovered what could be done by a pure and sensitive flash of light- a light that was more important than all the constellations arranged for the eyes pleasure.:
Tristan Tzara, 1922
Reading Rilke, Thinking about Portraiture

World was in the face of the beloved—,
but suddenly it poured out and was gone:
world is outside, world can not be grasped.

Why didn’t I, from the full, beloved face
as I raised it to my lips, why didn’t I drink
world, so near that I couldn’t almost taste it?

Ah, I drank. Insatiably I drank.
But I was filled up also, with too much
world, and, drinking, I myself ran over.

Jordi Gual, A portrait of Natasha

Jordi Gual, A portrait of Natasha

Excerpt from Ocean I-VI by Andreas Gursky.
It would be misleading to say that Gursky photographed these pictures. Each image was lifted from satellite imaging devices and then edited in post-production by Gursky. Gursky, using information about the depth of the ocean and weather patterns, manipulated the photo’s color to artificially create and ‘accurate’ depiction of the coastal regions.

Excerpt from Ocean I-VI by Andreas Gursky.

It would be misleading to say that Gursky photographed these pictures. Each image was lifted from satellite imaging devices and then edited in post-production by Gursky. Gursky, using information about the depth of the ocean and weather patterns, manipulated the photo’s color to artificially create and ‘accurate’ depiction of the coastal regions.

The Debut, The Grand Re-release, Back to the Blog!

Post-Proust is back with a vengeance. The latest assignment: examining the relationship between text and the photographic image. Let’s get to it.

The Adderall Diaries

“This is a work of nonfiction…Events are sometimes presented out of sequence but timelines are not intentionally altered. Many names and details have been changed to protect identities. Much is based on my own memories and is faithful to my recollections, but only a fool mistakes memory for fact.”

There must be ghosts all over the world. They must be as countless as the grains of the sands, it seems to me. And we are so miserably afraid of the light, all of us.
Henrik Ibsen, Ghosts
Beginners. A must-see.

Beginners. A must-see.